{"id":38,"date":"2025-07-17T14:47:01","date_gmt":"2025-07-17T13:47:01","guid":{"rendered":"https:\/\/cleaver.nl\/?page_id=38"},"modified":"2025-07-23T07:52:54","modified_gmt":"2025-07-23T06:52:54","slug":"films-i-translated","status":"publish","type":"page","link":"https:\/\/cleaver.nl\/?page_id=38","title":{"rendered":"\ud83c\udf9e\ufe0fFilms I Translated"},"content":{"rendered":"\n

I have translated more than 200 Dutch feature films into English and several hundred documentaries, including works by Johan van der Keuken, Heddy Honigmann, Fatima Jebli Ouazzani, Barbara den Uyl, Niek Koppen, Jos de Putter. Subtitling is a rewarding craft… it remains the best way to encourage communication between different peoples with different languages without destroying the richness, culture and beauty of the original.

The features are (with relevant links):<\/p>\n\n\n\n

<\/a>1978<\/h3>\n\n\n\n

Camping<\/a><\/p>\n\n\n\n

<\/a>1979<\/h3>\n\n\n\n

Instant pictures<\/a><\/p>\n\n\n\n

Kort Amerikaans<\/a><\/p>\n\n\n\n

<\/a>1980<\/h3>\n\n\n\n

De bende van hiernaast<\/a><\/p>\n\n\n\n

De meester en de reus<\/a><\/p>\n\n\n\n

<\/a>De onvoltooide tulp<\/a><\/p>\n\n\n\n

Het teken van het beest<\/a><\/p>\n\n\n\n

Een tip van de sluier<\/a><\/p>\n\n\n\n

<\/a>1981<\/h3>\n\n\n\n

De afstand<\/a><\/p>\n\n\n\n

Hoge hakken, echte liefde<\/a><\/p>\n\n\n\n

In extremo<\/a><\/p>\n\n\n\n

Het meisje met het rode haar<\/a><\/p>\n\n\n\n

<\/a>1982<\/h3>\n\n\n\n

Ademloos<\/a><\/p>\n\n\n\n

Allemaal tuig!<\/a><\/p>\n\n\n\n

Het dak van de walvis<\/a><\/p>\n\n\n\n

Knokken voor twee<\/a><\/p>\n\n\n\n

De smaak van water<\/a><\/p>\n\n\n\n

Een zwoele zomeravond<\/a><\/p>\n\n\n\n

<\/a>1983<\/h3>\n\n\n\n

Casta Diva<\/a><\/p>\n\n\n\n

<\/a>De oplossing?<\/a><\/p>\n\n\n\n

<\/a>1984<\/h3>\n\n\n\n

Bastille<\/a><\/p>\n\n\n\n

<\/a>D\u00e9sir\u00e9e<\/a><\/p>\n\n\n\n

<\/a>Het feest en de grote leugen<\/a><\/p>\n\n\n\n

<\/a>De grens<\/a><\/p>\n\n\n\n

<\/a>Moord in Extase<\/a><\/p>\n\n\n\n

<\/a>Naughty Boys<\/a><\/p>\n\n\n\n

<\/a>Schatjes<\/a>!<\/a><\/p>\n\n\n\n

<\/a>De schorpioen<\/a><\/p>\n\n\n\n

<\/a>1985<\/h3>\n\n\n\n

De dream<\/a><\/p>\n\n\n\n

<\/a>De ijssalon<\/a><\/p>\n\n\n\n

<\/a>Parfait amour<\/a><\/p>\n\n\n\n

<\/a>Pervola – sporen in de sneeuw<\/a><\/p>\n\n\n\n

<\/a>De prooi<\/a><\/p>\n\n\n\n

<\/a>Soldaten zonder geweren<\/a><\/p>\n\n\n\n

<\/a>A strange love affair<\/a><\/p>\n\n\n\n

<\/a>Thomas & Senior op het spoor van brute Berend<\/a><\/p>\n\n\n\n

<\/a>Wildschut<\/a><\/p>\n\n\n\n

<\/a>1986<\/h3>\n\n\n\n

De aanslag<\/a><\/p>\n\n\n\n

<\/a>Afzien<\/a><\/p>\n\n\n\n

<\/a>Almacita di Desolato<\/a><\/p>\n\n\n\n

<\/a>Als in een roes<\/a><\/p>\n\n\n\n

<\/a>De kkkomediant<\/a><\/p>\n\n\n\n

<\/a>Mama is boos!<\/a><\/p>\n\n\n\n

<\/a>Maria<\/a><\/p>\n\n\n\n

<\/a>1987<\/h3>\n\n\n\n

Dagboek van een oude dwaas<\/a><\/p>\n\n\n\n

<\/a>Mascara<\/a><\/p>\n\n\n\n

<\/a>Nitwits<\/a><\/p>\n\n\n\n

<\/a>Odyssee d’amour<\/a><\/p>\n\n\n\n

<\/a>De Orionnevel<\/a><\/p>\n\n\n\n

<\/a>Ratelrat<\/a><\/p>\n\n\n\n

<\/a>Van geluk gesproken<\/a><\/p>\n\n\n\n

<\/a>Vroeger is dood<\/a><\/p>\n\n\n\n

<\/a>1988<\/h3>\n\n\n\n

<\/a>Shadowman<\/a><\/p>\n\n\n\n

Honneponnetje<\/a><\/p>\n\n\n\n

<\/a>1989<\/h3>\n\n\n\n

Quatre mains<\/a><\/p>\n\n\n\n

De Avonden<\/a><\/p>\n\n\n\n

<\/a>In krakende welstand<\/a><\/p>\n\n\n\n

<\/a>Jan Rap en z’n maat<\/a><\/p>\n\n\n\n

<\/a>Lilly was Here<\/a><\/p>\n\n\n\n

<\/a>Kunst- en vliegwerk<\/a><\/p>\n\n\n\n

<\/a>Leedvermaak<\/a><\/p>\n\n\n\n

<\/a>Mijn vader woont in Rio<\/a><\/p>\n\n\n\n

<\/a>Wilde harten<\/a><\/p>\n\n\n\n

<\/a>1990<\/h3>\n\n\n\n

Alissa in concert<\/a><\/p>\n\n\n\n

<\/a>My blue heaven<\/a><\/p>\n\n\n\n

<\/a>De gulle minnaar<\/a><\/p>\n\n\n\n

<\/a>Krokodillen in Amsterdam<\/a><\/p>\n\n\n\n

<\/a>The night of the wild donkeys<\/a><\/p>\n\n\n\n

<\/a>Passagiers<\/a><\/p>\n\n\n\n

<\/a>Pink Ulysses<\/a><\/p>\n\n\n\n

<\/a>Rosa R<\/a>o<\/a>sa<\/a><\/p>\n\n\n\n

<\/a>Scherzo furioso<\/a><\/p>\n\n\n\n

<\/a>Wij houden zo van Julio<\/a><\/p>\n\n\n\n

<\/a>1991<\/h3>\n\n\n\n

Oh boy!<\/a><\/p>\n\n\n\n

<\/a>1992<\/h3>\n\n\n\n

Boven de bergen<\/a><\/p>\n\n\n\n

<\/a>De drie beste dingen in het leven<\/a><\/p>\n\n\n\n

<\/a>Flodder does Manhattan<\/a><\/p>\n\n\n\n

<\/a>The Penknife<\/a><\/p>\n\n\n\n

<\/a>1993<\/h3>\n\n\n\n

Angie<\/a><\/p>\n\n\n\n

<\/a>Belle van Zuylen – Madame de Charri\u00e8re<\/a><\/p>\n\n\n\n

<\/a>Dagboek van een zwakke yogi<\/a><\/p>\n\n\n\n

<\/a>Hartverscheurend<\/a><\/p>\n\n\n\n

<\/a>Ik hou van lawaai<\/a><\/p>\n\n\n\n

<\/a>De kleine blonde dood<\/a><\/p>\n\n\n\n

<\/a>Oeroeg<\/a><\/p>\n\n\n\n

<\/a>De tussentijd<\/a><\/p>\n\n\n\n

<\/a>1994<\/h3>\n\n\n\n

06<\/a><\/p>\n\n\n\n

<\/a>Eenmaal geslagen, nooit meer bewogen<\/a><\/p>\n\n\n\n

<\/a>En route<\/a><\/p>\n\n\n\n

<\/a>De flat<\/a><\/p>\n\n\n\n

<\/a>Oude Tongen<\/a><\/p>\n\n\n\n

<\/a>Rit over de grens<\/a><\/p>\n\n\n\n

<\/a>Venus in furs<\/a><\/p>\n\n\n\n

<\/a>Xime<\/a><\/p>\n\n\n\n

<\/a>De zwijgende reiziger<\/a><\/p>\n\n\n\n

<\/a>1995<\/h3>\n\n\n\n

Aletta Jacobs – het hoogste streven<\/a><\/p>\n\n\n\n

<\/a>Bentinck<\/a><\/p>\n\n\n\n

<\/a>Filmpje!<\/a><\/p>\n\n\n\n

<\/a>Hoogste tijd<\/a><\/p>\n\n\n\n

<\/a>Krima – Kerime<\/a><\/p>\n\n\n\n

<\/a>Laagland<\/a><\/p>\n\n\n\n

<\/a>Mykosch<\/a><\/p>\n\n\n\n

<\/a>De schaduwlopers<\/a><\/p>\n\n\n\n

<\/a>De tasjesdief<\/a><\/p>\n\n\n\n

<\/a>Tot ziens<\/a><\/p>\n\n\n\n

<\/a>De Vliegende Hollander<\/a><\/p>\n\n\n\n

<\/a>1996<\/h3>\n\n\n\n

Advocaat van de hanen<\/a><\/p>\n\n\n\n

<\/a>Blind date<\/a><\/p>\n\n\n\n

<\/a>Gemengde berichten<\/a><\/p>\n\n\n\n

<\/a>De jongen die niet meer praatte<\/a><\/p>\n\n\n\n

<\/a>De kersenpluk<\/a><\/p>\n\n\n\n

<\/a>Memory of the Unknown<\/a><\/p>\n\n\n\n

<\/a>Another Mother<\/a><\/p>\n\n\n\n

<\/a>Off mineur<\/a><\/p>\n\n\n\n

<\/a>De zeemeerman<\/a><\/p>\n\n\n\n

<\/a>1997<\/h3>\n\n\n\n

All Stars<\/a><\/p>\n\n\n\n

<\/a>Broos<\/a><\/p>\n\n\n\n

<\/a>De gordel van smaragd<\/a><\/p>\n\n\n\n

<\/a>Karakter<\/a><\/p>\n\n\n\n

<\/a>Mijn franse tante Gazeuse<\/a><\/p>\n\n\n\n

<\/a>1998<\/h3>\n\n\n\n

Abeltje<\/a><\/p>\n\n\n\n

<\/a>Blazen tot honderd<\/a><\/p>\n\n\n\n

<\/a>Door de wind gejaagd<\/a><\/p>\n\n\n\n

<\/a>Dropouts<\/a><\/p>\n\n\n\n

<\/a>The 6:10 Train<\/a><\/p>\n\n\n\n

<\/a>Fl 19,99<\/a><\/p>\n\n\n\n

<\/a>De man met de hond<\/a><\/p>\n\n\n\n

<\/a>Missing link<\/a><\/p>\n\n\n\n

<\/a>De Poolse bruid<\/a><\/p>\n\n\n\n

<\/a>Temmink<\/a> : the ultimate fight<\/a><\/p>\n\n\n\n

<\/a>De trip van Teetje<\/a><\/p>\n\n\n\n

De verstekeling<\/a><\/p>\n\n\n\n

<\/a>Celluloid Blues<\/a><\/p>\n\n\n\n

<\/a>Vive elle<\/a><\/p>\n\n\n\n

<\/a>When the light comes<\/a><\/p>\n\n\n\n

<\/a>Winter ’89<\/a><\/p>\n\n\n\n

<\/a>1999<\/h3>\n\n\n\n

Vaarwel Pavel*<\/a><\/p>\n\n\n\n

<\/a>Zyklus von Kleinigheiten<\/a><\/p>\n\n\n\n

<\/a>Unter den Palmen<\/a><\/p>\n\n\n\n

<\/a>De rode zwaan<\/a><\/p>\n\n\n\n

<\/a>Cross fate<\/a><\/p>\n\n\n\n

<\/a>Somberman’s actie<\/a><\/p>\n\n\n\n

<\/a>Maten<\/a><\/p>\n\n\n\n

<\/a>Wilde mossels<\/a><\/p>\n\n\n\n

<\/a>Boris<\/a><\/p>\n\n\n\n

<\/a>The Emperor’s Wife<\/a><\/p>\n\n\n\n

<\/a>Soap<\/a><\/p>\n\n\n\n

<\/a>Red-light Poet<\/a><\/p>\n\n\n\n

<\/a>Leak<\/a><\/p>\n\n\n\n

<\/a>Kruimeltje<\/a><\/p>\n\n\n\n

<\/a>2000<\/h3>\n\n\n\n

Enigma<\/a><\/p>\n\n\n\n

<\/a>Jackie<\/a><\/p>\n\n\n\n

<\/a>Les diseurs du verite<\/a><\/p>\n\n\n\n

<\/a>Zwarte Meteoor<\/a><\/p>\n\n\n\n

<\/a>Verborgen Gebreken<\/a><\/p>\n\n\n\n

<\/a>Hart van Steen<\/a><\/p>\n\n\n\n

<\/a>Claim<\/a><\/p>\n\n\n\n

<\/a>Rent A Friend<\/a><\/p>\n\n\n\n

<\/a>Mariken<\/a><\/p>\n\n\n\n

<\/a>Ochtendzwemmers<\/a><\/p>\n\n\n\n

<\/a>Amnesia<\/a><\/p>\n\n\n\n

<\/a>Met Grote Blijdschap<\/a><\/p>\n\n\n\n

<\/a>The Sea that Thinks…<\/a><\/p>\n\n\n\n

<\/a>Iles flottantes<\/a><\/p>\n\n\n\n

<\/a>Olivetti 82<\/a><\/p>\n\n\n\n

<\/a>2001<\/h3>\n\n\n\n

Nynke<\/a><\/p>\n\n\n\n

<\/a>Minoes<\/a><\/p>\n\n\n\n

<\/a>Liefje<\/a><\/p>\n\n\n\n

<\/a>Journey through the Night<\/a><\/p>\n\n\n\n

<\/a>The Other Life<\/a><\/p>\n\n\n\n

<\/a>Saint Amour<\/a><\/p>\n\n\n\n

<\/a>The Cave<\/a><\/p>\n\n\n\n

<\/a>Friendship<\/a><\/p>\n\n\n\n

<\/a>Monte Carlo<\/a><\/p>\n\n\n\n

<\/a>Stone Raft<\/a><\/p>\n\n\n\n

<\/a>Zus & Zo<\/a><\/p>\n\n\n\n

<\/a>Moonlight<\/a><\/p>\n\n\n\n

<\/a>2002<\/h3>\n\n\n\n

Tussenland<\/a><\/p>\n\n\n\n

<\/a>Oysters at Nam Kee<\/a><\/p>\n\n\n\n

<\/a>Lunatik the Muvie<\/a><\/p>\n\n\n\n

<\/a>Full Moon<\/a><\/p>\n\n\n\n

<\/a>Heaven’s Next<\/p>\n\n\n\n

<\/a>Van God Los<\/a><\/p>\n\n\n\n

<\/a>De Dominee<\/a><\/p>\n\n\n\n

<\/a>2003<\/strong><\/h3>\n\n\n\n

Arm van Jesus<\/a><\/p>\n\n\n\n

<\/a>De Ordening<\/a><\/p>\n\n\n\n

<\/a>Feestje<\/a><\/p>\n\n\n\n

<\/a>Halima’s Paradise<\/a><\/p>\n\n\n\n

<\/a>Interview<\/a><\/p>\n\n\n\n

<\/a>Liever Verliefd<\/a><\/p>\n\n\n\n

<\/a>Phileine Says Sorry<\/a><\/p>\n\n\n\n

<\/a>Rigoletto<\/a><\/p>\n\n\n\n

<\/a>Het Zuiden<\/a><\/p>\n\n\n\n

<\/a>Pietje Bel<\/a><\/p>\n\n\n\n

<\/a>Polleke<\/a><\/p>\n\n\n\n

<\/a>Verborgen Gebreken<\/a><\/p>\n\n\n\n

<\/a>2004<\/strong><\/h3>\n\n\n\n

Kees de Jongen<\/a><\/p>\n\n\n\n

<\/a>Passion Fruit<\/a><\/p>\n\n\n\n

<\/a>Shouf Shouf Habibi<\/a><\/p>\n\n\n\n

<\/a>Pietje Bell<\/a><\/p>\n\n\n\n

<\/a>Deining<\/a><\/p>\n\n\n\n

<\/a>Bluebird<\/a><\/p>\n\n\n\n

<\/a>Paradise Girls<\/a><\/p>\n\n\n\n

Ali & Nino<\/a><\/a><\/p>\n\n\n\n

Snowfever<\/a><\/p>\n\n\n\n

<\/a>Ellis in Glamourland<\/a><\/p>\n\n\n\n

<\/a>Floris<\/a><\/p>\n\n\n\n

<\/a>Cool<\/a><\/p>\n\n\n\n

<\/a>0605<\/a><\/p>\n\n\n\n

<\/a>Eric in the Land of Insects<\/a><\/p>\n\n\n\n

<\/a>Off Screen<\/a><\/p>\n\n\n\n

<\/a>Stille Nacht<\/a><\/p>\n\n\n\n

<\/a>2005<\/strong><\/h3>\n\n\n\n

Cargo<\/p>\n\n\n\n

Charley<\/a><\/p>\n\n\n\n

Guernsey<\/a><\/p>\n\n\n\n

<\/a>Knetter<\/a><\/p>\n\n\n\n

<\/a>Medea<\/a><\/p>\n\n\n\n

<\/a>Offers<\/a><\/p>\n\n\n\n

<\/a>Pijnbank<\/a><\/p>\n\n\n\n

Ritsen<\/a><\/a><\/p>\n\n\n\n

Schnitzelparadijs<\/a><\/p>\n\n\n\n

<\/a>Vet Hard<\/a><\/p>\n\n\n\n

<\/a>Wild Romance<\/a><\/p>\n\n\n\n

<\/a>Zoop in Afrika<\/a><\/p>\n\n\n\n

<\/a>2006<\/h3>\n\n\n\n

Sportsman of the Century<\/a><\/p>\n\n\n\n

The Quarrels of the World<\/a><\/p>\n\n\n\n

Northern Lights<\/a><\/p>\n\n\n\n

Masterclass<\/a><\/p>\n\n\n\n

Song from th e Other Side<\/a><\/p>\n\n\n\n

Jerba Express<\/p>\n\n\n\n

Duska<\/a><\/p>\n\n\n\n

Bad<\/p>\n\n\n\n

Zoop in India<\/a><\/p>\n\n\n\n

SL8N8<\/a><\/p>\n\n\n\n

Gijsbrecht<\/p>\n\n\n\n

Spijkerschrift<\/p>\n\n\n\n

Blind<\/a><\/p>\n\n\n\n

Nachtrit<\/a><\/p>\n\n\n\n

<\/a>2007<\/h3>\n\n\n\n

Beetje Verliefd<\/a><\/p>\n\n\n\n

Blind<\/a><\/p>\n\n\n\n

Wolfsbergen<\/a><\/p>\n\n\n\n

HannaHannaH<\/a><\/p>\n\n\n\n

Megumi<\/a><\/p>\n\n\n\n

Zoop in South America<\/a><\/p>\n\n\n\n

<\/a>2008<\/h3>\n\n\n\n

Alibi<\/a><\/p>\n\n\n\n

<\/a>White Light<\/a><\/p>\n\n\n\n

<\/a>Winter in Wartime<\/a><\/p>\n\n\n\n

Atlantis<\/a><\/p>\n\n\n\n

<\/a>Letter for the King<\/a><\/p>\n\n\n\n

<\/a>2009<\/h3>\n\n\n\n

Silent Army<\/a><\/p>\n\n\n\n

Carmen of the North<\/a><\/p>\n\n\n\n

De Storm<\/a><\/p>\n\n\n\n

Aviatrix<\/a><\/p>\n\n\n\n

Stella’s War<\/a><\/p>\n\n\n\n

Hoofdprijs<\/a><\/p>\n\n\n\n

Life in One Day<\/a><\/p>\n\n\n\n

Spy for the Queen<\/a><\/p>\n\n\n\n

Happy End<\/a><\/p>\n\n\n\n

<\/a>2010<\/h3>\n\n\n\n

The Happy Housewife<\/a><\/p>\n\n\n\n

Komt een vrouw bij de dokter<\/a><\/p>\n\n\n\n

Foeksia<\/a><\/p>\n\n\n\n

Kofte<\/a><\/p>\n\n\n\n

Kom niet aan mijn kinderen<\/p>\n\n\n\n

C’est deja l’ete<\/p>\n\n\n\n

Shocking Blue<\/p>\n\n\n\n

The Strongest Man in Holland<\/p>\n\n\n\n

<\/a>
2011<\/h3>\n\n\n\n

Nova Zembla<\/p>\n\n\n\n

All Stars 2 Old Stars<\/p>\n\n\n\n

Rabat<\/p>\n\n\n\n

Alle tijd<\/p>\n\n\n\n

Midzomernacht<\/p>\n\n\n\n

Entre Nosotros<\/p>\n\n\n\n

Leben oder Theater<\/p>\n\n\n\n

Dagen van Gras<\/p>\n\n\n\n

Nina Satana<\/p>\n\n\n\n

Taped<\/p>\n\n\n\n

Life is Beautiful<\/p>\n\n\n\n

<\/a>
2012<\/h3>\n\n\n\n

Geloven<\/p>\n\n\n\n

Hemel<\/p>\n\n\n\n

Bernard<\/p>\n\n\n\n

Hotel Europa<\/p>\n\n\n\n

Barslet (serie)<\/p>\n\n\n\n

Boven is het Stil<\/p>\n\n\n\n

The Stranger (Croatia)<\/p>\n\n\n\n

<\/a>
2013<\/h3>\n\n\n\n

Penoza (serie)<\/p>\n\n\n\n

Lieve Celine<\/p>\n\n\n\n

20 Leugens…<\/p>\n\n\n\n

Boven<\/p>\n\n\n\n

The Price of Sugar<\/p>\n\n\n\n

Hemel<\/p>\n\n\n\n

20 Lies<\/p>\n\n\n\n

After the Tone<\/p>\n\n\n\n

Hemel op Aarde<\/p>\n\n\n\n

Lieve Celine<\/p>\n\n\n\n

Mees Kees<\/p>\n\n\n\n

<\/a>
2014<\/h3>\n\n\n\n

Lucia de B.<\/p>\n\n\n\n

Zomer<\/p>\n\n\n\n

Wachten op Marissa<\/p>\n\n\n\n

Onder het Hart<\/p>\n\n\n\n

<\/a>
2015<\/h3>\n\n\n\n

De Surprise<\/p>\n\n\n\n

(etc etc etc …)<\/p>\n","protected":false},"excerpt":{"rendered":"

I have translated more than 200 Dutch feature films into English and several hundred documentaries, including works by Johan van der Keuken, Heddy Honigmann, Fatima Jebli Ouazzani, Barbara den Uyl, Niek Koppen, Jos de Putter. Subtitling is a rewarding craft… it remains the best way to encourage communication between different peoples with different languages without […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cleaver.nl\/index.php?rest_route=\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cleaver.nl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cleaver.nl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cleaver.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cleaver.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38"}],"version-history":[{"count":8,"href":"https:\/\/cleaver.nl\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":118,"href":"https:\/\/cleaver.nl\/index.php?rest_route=\/wp\/v2\/pages\/38\/revisions\/118"}],"wp:attachment":[{"href":"https:\/\/cleaver.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}